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Kim Wawer 

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Selected Exhibitions:



Dear D,
It was a pleasure to meet you, my time with you reminded me that we were near these, that made me feel calm, and in the mood of eating mussels. But jet during my stay, I felt as if I was interrupting you, I guess it was because you were carrying a lot of weight on your shoulders at the time. Our meeting was loaded with political conflict but that was not your fault, i admired how you stood tall between all of them, all the chaos that you where not part of. You provided network, connections to other places, your openness made it easy to project or imagine those other places. (not a lot of places are so generous) I hear from someone that birds liked to visit you before, I guess they still do, but they just shapeshifted somewhat. The reason why I’m writing you is because I wanted to apologise for leaving you so early, without really getting to know you. I guess I was afraid to get too close.

All the best and good luck to you,
K


IJburg—
14:12 -
There are no animals in this ground, that shows the soullessness character of this material. It’s like I'm meeting a very grey person, hoping to find something interesting to talk about. It is obvious that ground is not alive. I do still think it's nice to sit in the pit, with my eye height on the ground level. it's a nice place to Be, even though it is a bit lonely and empty. Camera is dead, have to charge again. Maybe I can still do something about the shape later.
Mark

Virtue and the city


2020 
Untitled (going places)
ceramic, performance

Reneenee, Amsterdam
Group show with: Ivan Cheng, Aaro Murphy, Kim Wawer, Kristoffer Zeiner


For the exhibition Virtue and the City Kim Wawer will be presenting a series of performances using several new ceramic sculptures. The ceramic sculptures function as a prosthesis that counterweight the body of the performer, when not activated by the performer the sculptures will be installed in the space as limbs looking for an owner.
With this project she will be continuing her practice using ceramic sculpture and performance as means to explore the limitation of the human body in relation to its surrounding, and the ‘other’. Also will she for the first time be performing herself instead of working with an external performer, taking a more autonomous approach toward her practice in more internally directed times.
Mark
RCargo