Instagram
Kim Wawer 

new images and additional content of the “Dig-project” is being updated..



Selected Exhibitions:



Dear D,
It was a pleasure to meet you, my time with you reminded me that we were near these, that made me feel calm, and in the mood of eating mussels. But jet during my stay, I felt as if I was interrupting you, I guess it was because you were carrying a lot of weight on your shoulders at the time. Our meeting was loaded with political conflict but that was not your fault, i admired how you stood tall between all of them, all the chaos that you where not part of. You provided network, connections to other places, your openness made it easy to project or imagine those other places. (not a lot of places are so generous) I hear from someone that birds liked to visit you before, I guess they still do, but they just shapeshifted somewhat. The reason why I’m writing you is because I wanted to apologise for leaving you so early, without really getting to know you. I guess I was afraid to get too close.

All the best and good luck to you,
K


IJburg—
14:12 -
There are no animals in this ground, that shows the soullessness character of this material. It’s like I'm meeting a very grey person, hoping to find something interesting to talk about. It is obvious that ground is not alive. I do still think it's nice to sit in the pit, with my eye height on the ground level. it's a nice place to Be, even though it is a bit lonely and empty. Camera is dead, have to charge again. Maybe I can still do something about the shape later.
Mark

In the depths of blue, there is yellow


2025
Love is an incomplete burning
ceramics, candlewax 

M.Simons︎︎︎, Lijnbaansgracht 318,
1017 WZ Amsterdam

Opening: 17th of Oct 17:00-19:00
Opening times: 17th Oct til 22th Nov
Thu- Sat: 13:00 - 18:00

Duo show with Philip Coyne, initiated by Kristoffer Zeiner


Poster by Kristoffer Zeiner

Join us at M.Simons for an exhibition of new works by Kim Wawer and Philip Coyne, titled In the depths of blue, there is yellow. The exhibition was produced during a period of collective reading and research-sharing between the two artists. The resulting works touch upon “reveries of internality”; operative representations of landscape; nostalgia for things that never were; the ambivalent relationship between Modernism and Fascism; and how it is that when we look very hard at objects or ideas, they seem to descend or unravel.
Mark
RCargo